WE LIKE THE WAY HE MOVES
by Orson on Nov 5, 2007 9:48 AM EST
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PrintBefore it slips off the map and into the dark, forgotten history of last week and oblivion, we remind you that Big Boi did turn the beleaguered crowd at Bobby Dodd Stadium at Georgia Tech out with a superb performance at half-time. He also inspired one trumpet player in front of us to unheard of levels of dancing funk.
The footage alone doesn't quite do it justice, though. Let's see, looking for the right accompaniment: Krokus' "Long Stick Goes Boom?" Rihanna's "Umbrella?" "Time to Say Goodbye" by Sarah Brightman? We mean, no! We don't own any of those.
Ahh, there it is. Perfect.
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That, my dear Orson, is what man funk compressed to the density of a neutron star
by Futbawl Fan on Nov 5, 2007 10:00 AM EST reply actions
Here’s hoping the street cred from that performance evened out the shit-tacular play by GT in the eyes of our recruits.
by Brian on Nov 5, 2007 10:08 AM EST reply actions
Still not as good as the male fire-baton twirler at FSU. He must have learned in at their Circus College.
by mlmintampa on Nov 5, 2007 10:15 AM EST reply actions
That’s about as much dancing as one can do without actually moving one’s feet.
by Digital Headbutt on Nov 5, 2007 10:47 AM EST reply actions
Jebus Tapdancing Titty Christ, you mentioned Krokus.
by Great Caesar's Ghost on Nov 5, 2007 10:51 AM EST reply actions
As a gay guy, I used to love going to Georgia Tech games in theory, being sausage parties and all that. But then when you actually get to the game it’s like who are these ugly dorky fuckers.
by Skip on Nov 5, 2007 12:25 PM EST reply actions
Blake Mitchell needs to take lessons from that guy.
by yoyofutbawl on Nov 5, 2007 12:47 PM EST reply actions
When they got back to the stands, I had already taken a shit there!
Go WfVU!
by Hossnfeffer on Nov 5, 2007 3:40 PM EST reply actions
Yes! This guy was near the south end zone, was he not? I noticed his crunktacularity emanating from this $44,000 performance.
by Will on Nov 6, 2007 12:32 AM EST reply actions
It sounded like a moose farting on a bass drum in the east stands (the direction Big Boi was facing) and the band could NOT have been more square and white. The balance was so bass-heavy that it took me until the bass line at the beginning of “The Way You Move” (which was the second song after “Morris Brown”) to be able to identify a song. There were no audible vocals; just reverberating bass.
by Chris on Nov 6, 2007 5:08 PM EST reply actions
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